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Give an opinion, get free tickets

6 Aug

How can the community talk about live theatre? If you’ve got input, you might win two free tickets to an upcoming show at Seattle Repertory Theatre, Seattle Children’s Theatre or Intiman Theatre.

What is it about live theatre that inspires you? Photo by Chris Bennion, courtesy of Seattle Children's Theatre.

Holes Not Drills, a loosely-organized discussion group of Seattle theatre artists and marketers, is trying to find new ways to talk about and promote live theatre.

The group is asking Seattle theatre-goers to undertake the following:

Picture a favorite moment in theatre, whether as a producer or artist or audience member. Using only single word or two-word phrases, imagine you are talking to your closest friend and describe why that experience was important.
Picture that same moment, but this time, describe why it was important, using the same rules, to someone you know that has never attended or participated in live theatre. Same limit: up to five words or two-word phrases.

Those who are up to articulating their feelings about theatre can e-mail a submission, or post their submission to the Holes Not Drills Facebook wall.

The group will randomly draw three names from those who submit answers; each will win vouchers good for a pair of tickets. You’ve got until 9 a.m. on Aug. 16.

The commissioners

21 Jul

ACT announced another commission of a new work this week. New York-based playwright Keith Josef Adkins was awarded the opportunity to create a new play, which has the working title The Final Days of NegroVille.

Marc Bamuthi Joseph in the break/s, courtesy of ACT. Photo by Bethanie Hines.

The work is underwritten by Gian-Carlo and Eulalie Scanduzzi. It is the sixth play commissioned by ACT through the New Works for the American Stage program, and the first new play commission by the Hansberry Project.

NPR recently covered ACT’s New Works program: www.kuow.org/program.php?id=20691.

The Final Days of NegroVille will have its first public reading July 24 at 7:30 p.m. at Theatre Off Jackson. Adkins will participate in a discussion following the reading.

Visit www.acttheatre.org for details.

The most nominated show on Broadway

6 May

The new musical Memphis, a co-production between The 5th Avenue Theatre and La Jolla Playhouse developed in Seattle last year,

Seattle actor and Tony award nominee Chad Kimball as DJ Huey Calhoun in "Memphis" at the 5th Avenue Theatre. Photo by Kevin Berne.

has racked up eight Tony nominations. The production is up for Best Musical, Best Book, Best Original Score, Best Actress in a Musical, Best Costume Design, Best Direction of a Musical, and Best Orchestrations. Seattle actor Chad Kimball, who plays DJ Huey Calhoun, has been nominated for Best Actor in a Musical.

Memphis, which tells the story of a white DJ whose love of black music helps bring about the birth of rock ‘n’ roll, has also received nominations for seven Outer Critic Circle Awards, seven Drama Desk Awards, two Drama League Awards, and two Astaire Awards. It boasts more award nominations than any show 2010 on Broadway.

Find more Tony nominations at www.tonyawards.com.

Katherine Luck

Million Dollar Tony

4 May

The new musical Million Dollar Quartet, developed in Village Theatre’s “Village Originals” program, is looking at three 2010 Tony Award nominations: Best Musical, Best Book of a Musical and Best Performance by a Featured Actor in a Musical.

2010 Tony Award nominatee Levi Kreis as Jerry Lee Lewis in Village Theatre’s 2007 production of “Million Dollar Quartet.” Photo by Jay Koh, courtesy of Village Theatre.

Million Dollar Quartet, originally staged in 2006 as part of Village Theatre’s 6th Annual Festival of New Musicals, retraces the day in 1956 when four rock ‘n’ roll legends came together for an impromptu jam session at Sam Philips’ Sun Records studio. Interspersed with flashbacks, the musical chronicles the legendary “Million Dollar Quartet” formed for one night only by Jerry Lee Lewis, Carl Perkins, Johnny Cash and Elvis Presley.

Million Dollar Quartet made its official debut at Village Theatre in September 2007 as part of the company’s 2007-2008 mainstage season. The production became the second Village Originals show to make it to Broadway, opening at Nederlander Theatre on April 11, 2010. To date, Million Dollar Quartet is Village Theatre’s best-selling new musical, having garnered over $1 million in ticket sales. The show is currently in the midst of a run of over a year at the Apollo Theatre in Chicago.

2010 Tony Award nominee Levi Kreis took on the role of Jerry Lee Lewis in the mainstage production in Issaquah. He and writers Colin Escott and Floyd Mutrux will find out if they get to take home a trophy on June 13.

Find more Tony nominations at www.tonyawards.com.

Katherine Luck

Seattle Children’s Theatre vs. Oregon Children’s Theatre

1 May

The 2010-2011 seasons of two major theatres face off …

In this corner, Seattle Children’s Theatre, which will celebrate its 36th season in 2010-2011. The company has presented more than 200 plays to over 4 million children since its founding.

Sarah S. Mixson and Connor Toms in Seattle Children’s Theatre’s "The Green Sheep." Photo by Chris Bennion, courtesy of SCT.

In the opposite corner, Oregon Children’s Theatre, Oregon’s largest nonprofit professional children’s theater company. Founded in 1989, OCT serves more than 111,000 children of all ages each year.

First, the trash talk from the Artistic Directors.

“I’m really proud of the season we have put together. It promises to be an exceptional year featuring international work from Scotland and Holland, our first-ever ecologically-themed production and the opportunity to again work with some of our favorite playwrights in Steven Dietz and Kevin Kling. Every age, children and adults, will find something to see, experience and enjoy,” says Seattle Children’s Theatre’s Linda Hartzell.

“This is going to be our most exciting season ever!” counters Oregon Children’s Theatre’s Stan Foote. “It’s got something for everyone and will really spark the imagination and creativity of children of all ages.”

Now, the 2010-2011 seasons go head to head.

Seattle Children’s Theatre’s 2010-2011 season kicks off in August with The Green Sheep, a play featuring music, puppets and surprises for the youngest audience members. Next up is The Borrowers, based on Mary Norton’s 1952 classic. In late October, Morgan’s Journey will let kids follow a clown on a journey of self-discovery. Lyle the Crocodile takes SCT into the New Year, when P.D. Eastman’s classic children’s book comes alive in Go, Dog. Go! In February, HELP details the early career of The Beatles, before the advent of Ringo. In time for spring, Puppet State Theatre Company of Scotland’s The Man Who Planted Trees will tell the tale of a French shepherd who sets out with his dog to plant a forest. In the season-ending Jackie and Me, young Joey Stoshack’s given an assignment to write a paper on Jackie Robinson, so he heads back to 1947 to meet the famous baseball player.

Leif Norby as Long John Silver and Ryan Stathos as Jim Hawkins in Oregon Children’s Theatre’s 2007-2008 production, "The Ghosts of Treasure Island." Photo by Owen Carey, courtesy of OCT.

Oregon Children’s Theatre will feature five plays for children and families, starting in October with the 1970s cult classic Alice & Wonderland, a rock opera. In January, OCT will present a world premiere musical, Diary of a Worm, a Spider, and a Fly, based on the New York Times best selling books by Doreen Cronin and Harry Bliss. Next up is the West Coast premiere of On the Eve of Friday Morning, the story of an Iranian girl who learns to cope with the struggles of her modern life through the ancient art of storytelling. Late April brings How I Became a Pirate, with hints that dance in the form of “peg-tapping” may be in store. The season will conclude with a new adaptation of Madeleine L’Engle’s A Wrinkle in Time.

Which delights will fit your playbill? Peg-tapping pirates or a tap-dancing crocodile? Rock opera or Beatles hits? A Wrinkle in Time or a time traveling baseball fan?

Katherine Luck

Musical From Issaquah Wins Pulitzer Prize

13 Apr

A musical from Village Theatre’s new works program won the 2010 Pulitzer Prize for Drama this week. Next to Normal, which already has a Tony award to its credit, first hit the stage in Issaquah, Wash., as Feeling Electric through the Village Originals development program.

Amy Spanger as Woman in the June 2005 workshop of Feeling Electric at Village Theatre. Photo by Dan Achatz, courtesy of Village Theatre.

Written by Village Theatre’s former associate artistic director Brian Yorkey, Next to Normal tells the story of a family trying to take care of themselves and each other. Directed by Michael Greif, who directed the original production of Rent, the production opened on Broadway at Booth Theatre in April 2009.

A national tour, kicking off this fall, will bring Next to Normal back to the Pacific Northwest. The show is scheduled to open at The 5th Avenue Theatre on Feb. 22, 2011. Tour details are available at www.nexttonormal.com.

Find more about the Village Originals program at www.villagetheatre.org.

Katherine Luck

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