The 2011 Gypsy Rose Lee Award winners are as follows:
Excellence in Production of a Play:
Equity: The Brothers Size (Seattle Repertory Theatre).
Also recognized: O Lovely Glowworm (Or Scenes of Great Beauty) (New Century Theatre Company).
Non-Equity: Sick (New City Theater).
Also recognized: Live from the Last Night of My Life (Theater Schmeater).
Excellence in Production of a Musical:
Equity: Iron Curtain (Village Theatre).
Non-Equity: The Drowsy Chaperone (Seattle Musical Theatre).
Excellence in Direction of a Play:
Equity: Juliette Carrillo, The Brothers Size (Seattle Repertory Theatre).
Also recognized: Valerie Curtis-Newton, All My Sons (Intiman Theatre).
Non-Equity: Karen Lund, Brownie Points (Taproot Theatre Company).
Also recognized: Wayne Rawley, Live from the Last Night of My Life (Theater Schmeater).
Excellence in Direction of a Musical:
Equity: Steve Tomkins, Iron Curtain (Village Theatre).
Non-Equity: Brandon Ivie, The Drowsy Chaperone (Seattle Musical Theatre).
Excellence in Performance as a Lead Actor:
Equity: Michael Patten, O Lovely Glowworm (Or Scenes of Great Beauty) (New Century Theatre Company).
Non-Equity: Jaryl Draper, How I Learned To Drive (Stone Soup Theater).
Excellence in Performance as a Lead Actress:
Equity: Anne Allgood, Mary Stuart (ACT Theatre).
Also recognized: Carolee Carmello, Saving Aimee (The 5th Avenue Theatre).
Non-Equity: Elizabeth Kenny, Sick (New City Theater).
Excellence in Performance as a Supporting Actor – any non-lead:
Equity: Todd Jefferson Moore, A Midsummer Night’s Dream (Seattle Shakespeare Company).
Also recognized: Joshua Carter, Mary Stuart (ACT Theatre).
Non-Equity: Aaron Lamb, An Ideal Husband (Taproot Theatre Company).
Also recognized: Nick Edwards, Shipwrecked (ArtsWest).
Excellence in Performance as a Supporting Actress – any non-lead:
Equity: Bobbi Kotula, Iron Curtain (Village Theatre).
Also recognized: Terri Weagant, A Midsummer Night’s Dream (Seattle Shakespeare Company).
Non-Equity: Stacie Calkins, Hairspray (Seattle Musical Theatre).
Excellence in Performance as an Ensemble:
Equity: Cast of The Brothers Size (Seattle Repertory Theatre).
Non-Equity: Cast of Brownie Points (Taproot Theatre Company).
Also recognized: Cast of A Lie of the Mind (Collektor).
Excellence in Set Design:
Equity: Roger Benington, O Lovely Glowworm (Or Scenes of Great Beauty) (New Century Theatre Company).
Also recognized: Mikiko Suzuki MacAdams, The Brothers Size (Seattle Repertory Theatre).
Non-Equity: Mark Lund, Something’s Afoot (Taproot Theatre Company).
Also recognized: Michael Mowery, Live from the Last Night of My Life (Theater Schmeater), Richard Schaefer, Arms and the Man (Seattle Public Theater).
Excellence in Costume Design:
Equity: Harmony Arnold, O Lovely Glowworm (Or Scenes of Great Beauty) (New Century Theatre Company).
Also recognized: Catherine Hunt, In The Next Room, or The Vibrator Play (ACT Theatre).
Non-Equity: Deborah Sorenson, Pygmalion (Sound Theatre Company).
Also recognized: John Allbritton, Hairspray (Seattle Musical Theatre).
Excellence in Lighting Design:
Equity: Geoff Korf, The Brothers Size (Seattle Repertory Theatre)
Non-Equity: Tess Malone, Duel of the Linguist Mages (Annex Theatre).
Also recognized: Dave Hastings, Crooked (Theater Schmeater).
Excellence in Sound Design:
Equity: Matt Starritt, The Brothers Size (Seattle Repertory Theatre).
Also recognized: Matt Starritt, The K of D (Seattle Repertory Theatre).
Non-Equity: Christopher Overstreet, Duel of the Linguist Mages (Annex Theatre).
Also recognized: Larry A. Ryan, Live from the Last Night of My Life (Theater Schmeater).
Excellence in Musical Direction:
Equity: RJ Tancioco, Iron Curtain (Village Theatre).
Non-Equity: Josh Zimmerman, Hairspray (Seattle Musical Theatre).
Excellence in Choreography or Movement:
Equity: Sonia Dawkins, The Brothers Size (Seattle Repertory Theatre).
Also recognized: Noah Racey, Guys & Dolls (The 5th Avenue Theatre).
Excellence in Local Playwriting:
Elizabeth Kenny, Sick (New City Theater).
Also recognized: Scotto Moore, Duel of the Linguist Mages (Annex Theatre).
